Sir, why do you always take photos of…
…poor people? This was a question posed to me by a student a few days ago. It stopped me in my tracks a little, and I wasn’t quite sure how to respond. In actual fact, her exact question was why do foreigners always take photos of poor people? I presumed however, given the nature of some of my recent photos, that I most probably fell firmly into this bracket and was the inspiration for her pressing question.
I thought for a second or two and my response was simple. “I don’t take photos of poor people, I take photos of people.” That’s all I could think to say when put on the spot like that. However, after contemplating it a little further, I realised that my initial response had been fairly accurate. I never actively or purposefully set out to capture images of so-called ‘poor people’ but maybe I am naively guilty of it appearing this way.
The whole question though makes me uncomfortable. One of my favourite weekend activities here in Chittagong is to wander somewhat aimlessly with my camera capturing anything that makes for an interesting shot. This pastime has earned a pronounced regularity since I returned to Bangladesh, but a simple question posed by one student has made me question every aspect of it.
My photography subject of choice here is predominantly people, so I am certainly in the right place. I cannot deny though that this does weigh heavy on my conscience at times. For example, a couple of weeks ago I visited one of the railroad communities, and as I peered down from the bridge above, I felt a certain amount of embarrassment. Why is this interesting to me? Why do I presume it’ll be interesting to the people I eventually share the photos with? All I can say is that it is different. That is all. Different in so many ways.
I really appreciate this quote from Dorothea Lange,
“The camera is an instrument that teaches people how to see without a camera.”
Living in Bangladesh, I want my photos to represent life in all its forms here. So when I share them, my hope is that viewers will see beyond just the single image. I want people to be able to contemplate this country and the people of this country in a much deeper capacity.
The residents of the railroad communities, I would hazard to guess, are poor in the most simple and raw form of the word and in the sense that their single image suggests. However, who am I, or we to judge if they are poor? And how do we define poor? That is not something for me to do, and it is not something I want to do. All I want to do is take photos of people, not poor people…people.
Therefore, here is a collection of images representing just a tiny corner of Chittagong, Bangladesh taken quite recently in the past few weeks. And here is one more quote,;
“A portrait is not a likeness. The moment an emotion or fact is transformed into a photograph it is no longer a fact but an opinion. There is no such thing as inaccuracy in a photograph. All photographs are accurate. None of them is the truth. ” – Richard Avedon